Who is Pari supposed to scare, Toddlers? |
I distinctly remember telling my wife many times recently that
the Japanese horror genre is like the grand-daddy of all horror flicks these
days, or almost all of them, across the world. The Ring series is just one of the
many examples of how movie-makers from different corners of the world have been
reusing, rather unashamedly, the Japanese way of presenting creepy people and
everyday situations cooked with darkish spirits to grab the attention of
audiences. Pari can be called the first bold attempt at something similar by an
Indian director with a reasonably good casting couch. Remember, all those times
when little Japanese girls are either trained towards or refrained from
exercising their sorcery due to their cold-hearted mothers or family guardians?
Pari borrows this part of the plot rather well. In fact, the first 30 minutes
are rather promising. You feel the story is gripping, creating the basis for
something that will lead to more-than-one sleeping issues. However, this where
the mishap happens. The middle part is severely understated – there is nothing
meaty enough for the viewers to bite into. The make-up effects are a disaster.
Getting More Serious about Pari Movie Review
The
story seems slow on purpose rather than being held back by interesting series
of events that should slowly unfold…the Japanese horror movie way. Anushka
seems wasted. The role definitely does not call for great acting credentials. Seems
like her production-wise investments made her undertake the role. Rajat Kapoor handles
his screen-space rather well. Overall, the story seems intense at first and
then gets too laborious. Towards the end, there are a couple of sharp turns in the
plot that could be interesting for some movie-obsessed souls but Pari does not
thrill or scare you. It does not even attempt to tell a story in a way that makes
you think thrice about using the washroom as the connecting lobby seems
uninhabited/unsafe and unworthy of risking your life! Average by all accounts,
Pari wastes a decent story, never trying to get too graphic and this applies to
the music score too. Horror genre is just not what we are made for…Pari
underlines this fact with a huge fluorescent marker but very few people are
ready to what lies in front of them!
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